Doctor Who: New Series BBC Audio Exclusives
Sunday, January 13, 2013
Blackout.
1 episode. Approx. 77 minutes. Written by: Oli Smith. Produced by: Alec Reid. Read by: Stuart Milligan.
THE PLOT
A man walks into a psychiatrist's office...
Chet, a New York city taxi driver who dreams of writing the Great American Novel, has been having disturbing dreams. Dreams in which he is abducted by aliens for unspeakable experiments. He has gone to a psychiatrist to try to get a handle on these visions. But the man who waits in the doctor's office tells him that the dreams are real. Chet truly was abducted by aliens, and now this strange Doctor needs his help.
It is New York City, November 9, 1965. The date of the Great Northeast Blackout, the largest blackout in American history. Though history has it that the blackout was caused when a transmission line near Niagara Falls tripped, the Doctor is about to learn that the actual cause was aliens - the very beings who abducted Chet. These aliens have put a drug into the New York water supply, a poison which causes the body to experience extreme heat, eventually resulting in death.
For the Doctor, it's a particularly desperate situation. He, Amy, and Rory took the train to New York, leaving the TARDIS in another state. If the Doctor can't improvise a solution, then he and his friends will die within the hour - along with the entire population of New York City!
CHARACTERS
The Doctor: As was hinted at in the Fifth Doctor's regeneration story, he can hold back his own death if he puts all his focus into doing so, though it takes all of his considerable will. He feels anger about what the aliens are doing to the people of New York, but is still easily distracted by the fun of using a classic car to generate static for his generator. He has an innate authority which, combined with his psychic paper, makes the crowd of people in Times Square easily accept him as someone to be listened to.
Amy/Rory: Are largely consigned to the "generic companion" roles for this story, being chased by aliens to allow for some activity while the Doctor spends about half the story building a generator. There are a few nice moments, such as Rory reminding Amy to "mirror, signal, manoeuvre," when she finds a vehicle for them to drive and Amy's general protectiveness of Rory... but overall, this is a very weak story for the companions.
THOUGHTS
Blackout opens superbly. It has a catchy teaser that is both amusing and intriguing, leading us into the theme music with a laugh on our lips and interest piqued. Based on this opening, I perked up and expected to end up writing an enthusiastic review.
This initial impression carried me through the first third or so of the story. Unfortunately, as the tale goes along, it becomes increasingly clear that writer Oli Smith just doesn't have enough story to fill the CD.
The middle is particularly weak, as the narrative basically marks time until the climax. The Doctor reaches Times Square and spends most of the rest of the story constructing a Magic Gizmo. Amy and Rory are chased around New York by an alien whose motive for chasing them is that their defense against an attack caused it to become infected... But given that the story explicitly tells us that the aliens have a cure, it seems bizarre that this individual wouldn't just go back to his ship to get cured. Basically, both strands exist only for the sake of a few tepid set pieces, and that becomes painfully clear all too soon.
It's frustrating how little-used the story's setting is. One of my reasons for picking up this particular audio was the potential I saw in setting a Doctor Who story against the Great Northeast Blackout. It's an inherently atmospheric backdrop, and memorable scenes and interactions could easily be created for this - some drawn from history and/or urban myths about the blackout that are already well-known.
None of this potential is tapped. The historical facts about the blackout aren't even mentioned in the audio, not even an aside by the Doctor about the reported cause, the extent of the power outage, and what it led to. Instead, the outage is just a generic backdrop, hardly painted as something that threw millions of lives into disarray for 13 hours. New York City itself is just a generic city and, but for the names of a few landmarks and the accent of the reader, might as well be London. No guest characters particularly stand out, not even Chet, the Doctor's "substitute companion" for the story. It's all absolutely, depressingly generic.
Though it's odd to hear an American accented reading of a Doctor Who story, I actually think that Stuart Milligan does a solid job. His Doctor is pretty good, capturing quite a lot of Matt Smith's vocal tics - though he seemingly can't do the accent and the performance at the same time, leaving this most enthusiastic of Doctors feeling oddly subdued and detached. His Amy and Rory are much weaker, but since they are so blandly characterized by the story it's hard to feel too letdown. While I would be wary about purchasing another audio written by Oli Smith, I would be perfectly willing to listen to another read by Stuart Milligan.
On the whole, one of the more disappointing Who audio books I've listened to. Not recommended.
Overall Rating: 3/10.
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Saturday, June 4, 2011
The Hounds of Artemis.
THE PLOT
The Doctor and Amy arrive in Smyrna, 1929, the site of an archaeological dig at the fabled Tomb of Artemis. The villagers shun the site, warning the foreigners to leave at once. Wolf-like howls echo in the night, as stories are told about the murderous Hounds of Artemis. Members of the team are picked off one by one, until only a handful of men remain. The Doctor knows something very bad is happening here. But as it's an established point in history, he warns Amy, he may well be powerless to prevent it!
CHARACTERS
The Doctor: Has been intrigued by the mystery surrounding the tragedies at the Tomb for a very long time, but only in his newest incarnation has he actually bothered to go investigate it. It ties in with the Eleventh Doctor's particular desire to investigate the most bizarre mysteries - recall that the Series Five finale opens with this Doctor deciding on a whim to read the first written words ever recorded. He is fiercely protective of Amy, and cares enough about her opinion to promise to do what he can to "limit the damage," even if he can't actually prevent tragedy from striking. Shows some frustration at his young appearance when he gripes that the problem with appearing young is that no one is inclined to listen to him, even when they are walking into "an obvious trap."
Amy: Strongly dislikes the wire-corseted mode of dress for women of the period, but deals with this through sarcasm and wisecracks, finding as much humor in her own discomfort as she can. Forms a friendship with the portly Ms. Vanderchasse, whose good humor and sense of adventure appeal to Amy. Clare Corbett reads Amy's "diary entries" - which is to say, most of Amy's part for the story - and does a fair job with the Scottish accent, making it reasonably easy to visualize Karen Gillan.
THOUGHTS
This is the first 11th Doctor audio story I've listened to, and it's not a bad little story. It has a sprightly pace, and writer James Goss does a decent job of capturing the Doctor/Amy interaction. The Doctor's characterization does occasionally veer more toward the 10th Doctor than the 11th... But given that this was true of Matt Smith's first couple of televised stories, as well, I'm inclined to forgive that.
As is too often the case, the set up portion of the story works substantially better than the payoff. The first half works a treat. The teaser is terrific. Even if the Doctor's appearance at the precise moment is predictable, it's still a pleasing moment, and James Goss deserves credit for giving the Doctor a good entrance. The device of using Amy's diary to convey a large portion of the story allows the narrators to alternate, and Amy's first-person accounts of the escalating tension at the dig site helps to make the first half reasonably atmospheric.
Once they actually go into the tomb, it becomes less effective as we meet a fairly standard issue monster. There's a touch of body horror, including a grim "feast" that might have been a bit much for the televised show. But there's also a bit too much running, made slightly laughable by the device of having Amy literally scribbling in her diary while running from monsters, while the principle monster of the piece is by its very nature less than imposing. There's also a plot revelation concerning the women of the village that has not been adequately foreshadowed, and thus feels like the writer pulling a solution out of thin air. That this solution also renders the Doctor into a spectator (albeit a talkative one) is not in the story's favor.
Also, the choice to precede each diary entry by signalling, "Amy's next diary entry..." gets wearying after a while. Once the pace begins to crack along in the second half, these breaks are distracting. The first half established that the first-person female narrator is reading Amy's diary entries. In the second half, as the action kicks in, the script should trust that the listener understands this and simply cut to Clare Corbett's voice in order to keep it all flowing rapidly.
Corbett's actual performance is quite good, though. In fact, the bits read by her largely work better than those read by Matt Smith. Smith is an excellent Doctor. But on the strength of this audio, I don't think he's the natural-born audiobook reader that David Tennant was. His Doctor characterization remains good, but he often struggles with the other voices, either dipping into caricature (Lord Woolcroft) or failing to differ character voices so that it becomes unclear which character is speaking. I hope this is an area in which Smith improves in future audiobooks.
Despite its flaws, The Hounds of Artemis is pacey, effortlessly listenable, and highly entertaining. It fits well within the televised season, with James Goss even sparing a moment to mention The Crack in Time. Not the greatest audio Doctor Who out there - but I'd still rate it above average, if only just.
Rating: 6/10.
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